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Dark and light taming wildness
Dark and light taming wildness











dark and light taming wildness

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dark and light taming wildness

“‘She’s Gotta Have It’: The Representation of Black Female Sexuality on Film.” Feminist Review 29 (Summer 1988): 10–22. Detroit, MI: Wayne State University Press, 2004. “Double Vision: Miscegenation and Points of View in The Searchers.” The Searchers: Essays and Reflections on John Ford’s Classic Western. Lexington, KY: University Press of Kentucky, 2006. Killing the Indian Maiden: Images of Native American Women in Film. Berkeley, CA: University of California Press, 1994. Blacks in American Films: Today and Yesterday. New Brunswick, NJ: Rutgers University Press, 1984. Love and Theft: Blackface Minstrelsy and the American Working Class. “Love and Theft: The Racial Unconscious of Blackface Minstrelsy.” Representations 39 (1992): 23–50. Urbana: University of Illinois Press, 1980. Showdown: Confronting Modern America in the Western Film. Malden, MA and Oxford, UK: Blackwell Publishing, Ltd. “Keeping the Carcass in Motion: Adaptation and Transmutations of the National in The Last of the Mohicans.” Literature and Film: A Guide to the Theory and Practice of Film Adaptation. “La Frontera Racial en The Searchers de John Ford.” Revista Complutense de Historia de America 30 (2004): 187–207. New Haven, CT: Yale University Press, 1997. White Women, Black Men: Illicit Sex in the Nineteenth-Century South. Philadelphia: Temple University Press, 1993. Framing Blackness: The African American Image in Film. “Re-searching.” The Searchers: Essays and Reflections on John Ford’s Classic Western. “From Captors to Captives: American Indian Responses to Popular American Narrative Forms.” Unpublished dissertation, University of Southern California, 2010. Chicago: University of Chicago Press, 2001. Fire and Desire: Mixed-Race Movies in the Silent Era. Detroit: Wayne State University Press, 2010. Hollywood Goes Oriental: CaucAsian Performance in American Film. New York: Grossman Publishers, 1973.įuller, Karla Rae. The Western: From Silents to the Seventies. Princeton, NJ: Princeton University Press, 2005.įenin, George and William Everson. Hollywood Fantasies of Miscegenation: Spectacular Narratives of Gender and Race, 1903–1967. Bowling Green, OH: Bowling Green State University Popular Press, 1991.Ĭourtney, Susan. “Hollywood Interracial Love: Social Taboo as Screen Titillation.” Beyond the Stars: Studies in American Popular Film, Volume 2: Plot Conventions in American Film.

dark and light taming wildness

“Preserving Racial Identity: Population Patterns and the Application of Anti-Miscegenation Statutes to Asian Americans 1910–1950.” Berkeley Asian Law Journal 9.1 (2002): 1–39.Ĭortes, Carlos. Bowling Green, OH: Bowling Green Popular Press, 1971.Ĭhin, Gabriel and Hrishi Karthikeyan. Toronto: McClelland and Stewart Limited, 1975.Ĭawelti, John. Hollywood’s Canada: The Americanization of Our National Image. New York: Columbia University Press, 1995.īerton, Pierre. New York: New York University Press, 2008.īobo, Jacqueline. Westport, CT and London: Praeger, 2005.īeltran, Mary and Camilla Fojas. Making the White Man’s Indian: Native Americans and Hollywood Movies. This process is experimental and the keywords may be updated as the learning algorithm improves.Īleiss, Angela. These keywords were added by machine and not by the authors.

DARK AND LIGHT TAMING WILDNESS FULL

These liaisons, full of danger and despair, occur on dual frontiers-one geographic, and the other racial-where notions about civilization and savagery, morality and passion, collide. Tainted in the eyes of their friends, neighbors, and communities, these unfortunates of the frontier lose their status as “clean,” “moral,” and “civilized” when their fates become intertwined with Mexican or Native American men bold enough to defy the boundaries of race or ethnicity. Volatile, passionate, and instinctual, they are, as one sadder-but-wiser suitor observed, “The sweetest poison that ever got into a man’s blood.” 1 Settlers’ daughters fare even worse when their encounters with the “wild” West become intimate. Many a cowboy has lost his heart, his fortune, his friends, and even his life after succumbing to the charms of an exotic senorita or an alluring Indian maid. Romance between races in the cinematic West is fraught with peril.













Dark and light taming wildness